July 25, Open Mike Online at FOGCon

On Sunday, July 25th, from 5 pm to 7:30 pm, FOGCon is hosting another online author event. Claire Light, AKA Jadie Jang, and Nancy Jane Moore will read from their newly published works. Additionally, FOGcon is reprising their Rapid Reads, and I’ll be reading for five minutes from Comeuppance Served Cold.

Here is the Eventbrite link so you can RSVP. The event is free even though the registration page refers to tickets. Don’t be alarmed.

I recently read Nancy Jane’s lighthearted fantasy adventure For the Good of the Realm, a genderswapped, magical retelling of The Three Musketeers. (Here’s a link.) It was delightful. Also, Nancy Jane was born in Texas, and I love her reading voice! I know little about Claire Light but look forward to hearing her work.

Despite the name “Rapid Reads,” I will not be speed-reading through my section, which is the beginning of the book. And that reminds me—maybe I’d better go do a practice read or two.


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Story Hour

Story Hour was energizing and fun! From the Facebook Link you can get the archive, and see the reading if you missed it.

I loved listening to Can Wiggins and her three hill-country women, avenging a callous death by reaching for some magic that is normally forbidden. The vivid voices of the three sisters, and the love and exasperation in their relationships, was brilliantly depicted.

It was great to see so many familiar faces on the Zoom call!

I pulled up my document in full screen to read, which meant I didn’t have the opportunity or time to read all the Zoom comments, and that’s about my only regret. Thanks again to Laura Blackwell and Daniel Marcus for including me.

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The Trope of the ELM

I’m currently reading a science fiction adventure novel. I’m at about the halfway point. Yesterday, reading a tense, high-action sequence involving a number of the characters, I was struck hard with how much the story relies on the Exceptional Lone Male trope.

I’m using “trope” in this post to mean a motif, rhetorical device or set of elements that appears in stories. I believe that like many things, the existence of a trope is, or can be, neutral—Character Finds a Hidden Letter is a trope, for instance. Tropes can be limiting if they perpetuate stereotypes. They can limit enjoyment in other ways too.

Exceptional Lone Male, which I will now abbreviate as ELM, a time-honored trope. By the way, there’s nothing necessarily wrong with it. I’m sure it appeals to young men. There is certainly, at least in speculative fiction, an Exceptional Lone Female trope as well, which appears to young women. Both of these are related to the Chosen One trope. All of these encourage stereotyping if the writer isn’t careful, but this post is less about the obvious stereotypes and more about the overall affect of an ELM trope.

Generally, for me as a reader, this trope shuts me out of the story. I, a lowly woman, may only watch from the sidelines, occasionally giving little adoring gasps, as the Exceptional Male, by his lonesome, figures out the math, slays the monsters, wields the weapons, finds the treasure, and saves the world.

By the way, an effect of ELM—the other males in the story, unless they are a designated adversary, behave much the same way. (Okay, maybe slightly fewer adoring gasps.) They fall reverentially silent before the great wisdom of the ELM. Even a male subject matter expert in a subject about which the ELM knows nothing will often miss the subtle clue that the ELM intuits, like this:

Hydrologist, who has studied in his field for 20+years:  So, I just can’t figure out how there would be water there. There’s no logical reason.

ELM, nineteen years old, raised on the streets, 4th grade education: Wait… doesn’t water flow downhill? Maybe there’s a hidden spring higher up.

Hydrologist: My God! I never thought of that.

I use tropes all the time. My point is that the writer should drive the trope, not the reverse. Using the trope without conscious awareness is what leads to unintended stereotyping.

Maybe the ELM trope is something the ELM himself needs to wrestle with. He believes he is the Lone Male—maybe he has to learn that other people can help. Maybe the hydrologist says, “I can only assume there’s a spring higher up.” The ELM can still find the water and save the day.

At the very least, if you’ve signed on 100% to ELM, and least wink at the audience once in a while, so we know you know what you’re doing. Have a flunky roll their eyes, or the girlfriend say, “You could ask an expert—oh, sorry, I forgot who I was talking to.”

Tropes are seductive, that’s the problem. I’ll fall into a trope intuitively, or by habit, and it will feel right, plotwise and dramatically. This isn’t because it’s right, but because it’s familiar. I was raised on this stuff. We all were. One trope of mine, surprisingly, is “a part of the government is evil.” This is just weird on its face. I’m one of those rare folks who likes government. I worked close to local government for literally decades. Those people weren’t evil. (Okay, well, maybe one or two were.) I don’t believe “government is evil,” or even, “government is inherently draconian” but I’ll reach for that first if I need an adversary in a speculative fiction story—because it’s easy.

If I’m going to use “a part of government is evil,” then it’s on me to ask myself some questions about that. What do I mean by “government?” Is it federal, state, regional, or local? Is it a corrupt elected official? Or a “shadow bureaucracy,” made up of long-term employees who know all the secrets? (Actually, I wish I’d been part of a shadow bureaucracy.) Is it enacting the stated wishes of the populace and growing unintended consequences, or has the process been hijacked?

Just examine the story patterns you chose intuitively or seem to fall into. Ask yourself questions about them. Push them to the extreme before you commit to the story. Flip the perspective. For instance, with the Exceptional Lone Male, take a look at your story from the point of view of the people he leaves in his wake. Are they happy and grateful? Do they feel left out? Do they think he’s jerk? Do they admire him, but feel sorry for him? What?

Anything I say here applies equally to ELFs or Chosen Ones.

And now I’ll go back to the ELM I was reading about. Perhaps there’s another part of the world he needs to save.






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I’ll Be On Story Hour!

On Wednesday, July 7, 2020, I’ll be a guest on Story Hour, along with Vancouver-based horror writer Can Wiggins. I’ll be reading two pieces of flash fiction.

The Story Hour archives are on Facebook.

Writer Daniel Marcus founded Story Hour during the depths of the pandemic sequestration; revisiting the old concept of telling tales around the fire. Writer Laura Blackwell joined him as co-host. (By the way, Laura is an awesome writer, whether it’s horror, magic, a Beowulf retelling or science fiction with a generation ship filled with ghosts.)

Story Hour is a chance to hear writers reading their own work–and maybe discover, or rediscover, a storyteller.

Can Wiggins doesn’t have a lot of work on the internet, but I did find this anthology that features one of her stories. I’m a fan of folk horror so I’m looking forward to hearing her read! Neither of my pieces is scary–unless you’ve had an aggressive person in a presentation you were giving, then one might be. I hope you can tune in!

If you miss it live, visit the Facebook page.





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Djinn Patrol on the Purple Line

In Deepa Anappara’s debut novel, voices of hope provide a counterpoint to a backdrop of despair. Leading the chorus is nine-year-old Jai. Jai and his friends Faiz and Pari are determined to find the schoolmate who has disappeared from their slum, while the police are doing nothing. Jai watches Police Patrol on TV, so he knows how to be a detective. He is confident he will solve the mystery and return the boy home, even as another child goes missing… and another. And another.

Interspersed with Jai’s first-person narration are stories told by other children; orphans and runaways, the gangs of “train kids” who risk their bodies and lives to scavenge at the tracks for things that can be sold or recycled. Several of these chapters are titled “This Story Will Save Your Life,” and tell about ghosts who will protect certain groups of children if those children pray to them.

Jai is observant, often noticing things the adults don’t. He also doesn’t understand much of what he sees. He doesn’t understand why his parents are so insistent that he come right home after school (of course he never does). He chafes when they ignore his competence or tell him to be quiet when he shares something he’d heard. He believes there is a human villain at work in the crowded slum area where he lives, but he won’t completely reject Faiz’s theory–that’s it a bad djinn. In short, Jai is a real child, trying to cope with the terror of powerlessness.

As more children disappear, the neighborhood turns on itself. A Hindu religious leader is quick to put the blame on Muslim families, since at first no Muslim children have disappeared. This leads to violence against those families, and even when Muslim children are taken, some say that this is merely a blind or a cover. Fathers take refuge in alcohol, mothers in prayer. Anappara does not take the easy road here. She uses this horrifying idea to show us the complexity of the problems. Yes, there is corruption, particularly among the police, but one police officer points out how badly under-resourced they are. Social, racial and religious discrimination are at the root of many of the community’s problems–and so is poverty, with a government whose response to people in the basti or poor neighborhoods is to threaten to bulldoze their homes.

It’s really tempting to speak about the technical achievement in this story–particularly the creation of Jai. Jai is an innocent, unreliable narrator; a kind of narrator that is difficult to pull off. The amount of talent, concentration and hard work Anappara demonstrates here is inspiring. All of that is in service to the book’s heart, though.

In her Afterword, Anappara writes about her days as a journalist in India, and the plague of missing children in that nation. She was struck by the voices of the many street children she interviewed; they were tough, snarky, funny, and hopeful. In the midst of an exposé novel showing the day to day horror of the situation (as well as the power and the love), Anappara focuses on the strength of those young voices–voices that chose hope.

There is a moment, in a place Jai and his friends call the Shaitani Adda, that is a turning point for Jai. After that moment, events accelerate. In many cases of serial child abductions, while the case may be closed for law enforcement, there is no closure, there are no answers, for the families, and that’s the case here. At the very end of the book, when Jai is forced to accept what has happened, he still chooses hope, seeing, through a break in the constant smog, a star. That star is a signal, he decides.

Djinn Patrol on the Purple Line is not only a heartbreaking, complicated tale, it’s beautiful at the line by line level. Anappara uses many Hindi terms in the book, making Jai’s world immersive and real, and provides a glossary at the back.

The reader of Djinn Patrol will have to make a choice; choose the heartbreak so excruciatingly rendered on the page, or made the harder choice–Jai’s choice–and find a way to hope.






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The Way We Live Now #18: Backing out of Lockdown

The second quarter of 2020 was stressful for me. There was a highly contagious, life-threatening virus making the rounds, and absolutely zero national response. We had a president who openly lied about the seriousness, often making things up on the spur of the moment. At least local and state agencies were trying to do right. There was a flood, a torrent of information. A lot of it was wrong, partially wrong, or so badly garbled in translation as to be useless.

I suffered from performance anxiety. I’m not being frivolous or sarcastic; in March and April I felt like any place I went had a new set of social mores and protocols, and I was trying to learn them while I also completed whatever task I was there for. I would turn around and leave the (narrow) aisles of my local grocery store if there were two people in there, because there was no way to get by them and leave social distance. I’d walk all way down a neighboring aisle to come in the other side. And I wasn’t the only one.

At the checkstand; unload the basket but don’t set the basket on the conveyer. Sanitize hands and card. Wipe the stylus of the card reader with a wipe ( which I had to pull out of the zip-sealed sandwich bag in my purse)–or wait, is it use the stylus and then wipe it for the next person? And find time in this process to at least say “Hello” to checkers I’ve seen nearly every day for years, ask how they’re doing. (A few times the answer was, “Stressed, and you?”)

Outdoors, when I wasn’t masked (part of this time there was no mask mandate or even really a mask recommendation), I would step into the gutter or even out into the traffic lanes to give people space. Public health officials recommended six feet of distance; remembering a Mythbuster episode about how far droplets from a sneeze could travel, I tried to allow more.

Hand sanitizer. And wipes. (I gave up trying to wipe the ATM keyboards and screens.) Spare single use masks in my purse, car and tote bag. I’d offer a mask to someone who’d forgotten one, fearful they were anti-maskers who would go off on me. (Note: No one ever did.) And I was always anxious, worried I was doing something wrong, something out of sequence. What if someone got sick because of me?

And then I settled in. Don’t go anywhere unless you have to–check. Six feet of distance–check. Wash hands several times a day–check. Hand sanitizer–check. Wear a mask–check.

I learned how to use Zoom.

Several months later, we had vaccines, and a national response that was effective. I got vaccinated. So did many people around me– more than 50% of the eligible adults in Sonoma County. The surges and hotspots became (at least it seems) less severe and less frequent as more and more people achieved full vaccination. Rules began to relax. That was good, except it got confusing again.

Yesterday California relaxed almost all the safety precautions. Six feet of distance is not required. Indoor dining at full capacity is available. If you’re vaccinated, you don’t have to wear a mask indoors–but we’re on the honor system.

And I’m anxious. Don’t get me wrong. I’m not complaining! Right now in Sonoma County, 73% of people 12+ years old have had at least one vaccine jab. New cases are down to 2 per 100,000. (Yesterday there were zero new cases identified.) Now, strangely, is a lot like March and April, 2020. I don’t have to give people space… but I want to. I don’t need to wear a mask inside, but I don’t want to wear my vaccination card around my neck on a lanyard either. How do people who don’t know me know that I’m vaccinated? After all, so many people were so vocal about not wearing a mask and not getting vaccinated– won’t they just take advantage of this opportunity and lie? Me wearing a mask indoors seems like it’s being respectful and reassuring. It also probably looks like I’m not vaccinated. And so, I dither.

I dither while I’m wearing a mask though. Something else people have begun to talk about–people who wore masks all of last year mostly didn’t get Covid. They didn’t get the flu, and they didn’t get colds. There may be something to this mask stuff.

So, as we back out the lockdown, I’m going to move slowly. I’ll keep my lovely fashion-statement masks, thanks, at least for a while longer. I’ll let people know I’m vaccinated, and I’ll take the face covering off when I know I’m in a group where we have all had our jabs. And the six-to-ten feet thing? I like that. I’ll keep doing it.






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Gallery Bookshop, Mendocino, Now Has Copper Road!

On Wednesday, The Gallery Bookshop became the latest store to carry Copper Road.

Availability now stretches from San Francisco to Mendocino! Well, kind of. Here is the current list of shops that carry the book on consignment.

319 Kasten Street, Mendocino, CA
(image by Marion Deeds)

Gallery Bookshop, at 319 Kasten Street in Mendocino Village, can be reached at (707) 937 2665.

Four Eyed Frog Books
(image provided by bookstore)

Call The Four-eyed Frog at (707)884-1333, or visit at 39138 Ocean Drive, Gualala, CA.

Second Chances Used Books
(image provided by store)

Visit Second Chances at 6932 Sebastopol Ave, Ste E, Sebastopol, CA, or call (707) 827-8291. If you’re driving there, best parking is in or near the plaza.

Copperfields Sebastopol
(image by Marion Deeds)

Copperfield’s in Sebastopol carries it. They’re at 138 N. Main Street, Sebastopol. They have parking in a lot off High Street, behind the library. Call them at (707) 823-2618

Borderlands Books
(image from store)

Borderlands Books is at 866 Valencia Street, San Francisco, although they may finish up their move soon. You can reach them at (415) 824 8203. Check Bart; there are two stops nearby.

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The Virus Collaborator

There’s an eatery in Mendocino Village whose owner took pride in preventing his employees, or customers, from wearing face coverings during the long months we’re been facing the novel coronavirus. In the early stages of the pandemic he put up a sign that said he’d apply a $5 surcharge to anyone who came into his cafe wearing a mask. In smaller print, it said he might add a charge to anyone who “bragged” about their vaccination. I’m guessing he had to reprint his sign as things progressed in our reckoning with this disease.

I walked by the place on Monday. (For the record, I’m not going to link to it or say the name. I won’t have to; you’ll see his sign in the window.) Some male country singer was blaring out of the speakers; “I’m proud to be an American.” The sound reverberated a little bit, probably off the walls of the empty cafe. There was a person behind the counter and the Open sign was still up, but there wasn’t anyone inside.

The owner has put up a couple of other signs sharing his “philosophy” on endangering people’s health. It includes the statement that people have the “right to breathe,” (that’s about masks) and people have the right to make up their own minds about things (that’s about getting vaccinated). Apparently this second one is inconsistently applied, since people who made up their own mind and wore a mask were subjected to different treatment in his place, but… oh, well.

He also thinks people “have the right to travel,” which is apparently a reference to tourists.(As in, “tourists without masks, come on in!”) Apparently he likes tourists. You know who else likes tourists, or at least feels that they need tourists? EVERY SINGLE MERCHANT in the village of Mendocino, that’s who.

I stopped to take some photos of his signs, and the phrase “virus collaborator” popped into my head. He’s a virus collaborator. He isn’t like people in Europe who willingly worked with the Nazis, or even the people who stood quietly, pretending to look the other way while Donald Trump attempted to dismantle our democracy. He might not even realize he’s collaborating–but a virus’s mission is to colonize. The novel Covid 19’s mission is to colonize as many humans as it can so it can grow and thrive.

Before you ask, the county has fined him at least once, and maybe twice. Another of his signs is one saying anyone coming into his cafe without permission is trespassing, even if they are government officials. I guess he doesn’t like Public Health very much.

I do have to wonder, if he is so proud to be an American, as his choice of music would indicate, why is he so eager to help an alien invader take us over?

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The Way We Live Now #17: Litter

More and more people are now fully vaccinated against the coronavirus. It’s starting to show in many ways. There are more people on the sidewalks, more traffic, more people going to the coast or taking trips.

And face masks are becoming a larger component of the litter I see when I’m out walking.

Sebastopol’s streets are pretty clean overall, but there is still litter, in specific places, and especially the Mondays after holiday or event weekends. It’s not uncommon to find fast food containers in the gutters, crushed drink cans (soft drinks and beer) and once in a while broken liquor bottles. Often it’s just scraps of paper–sometimes large scraps, like the shopper section blew out of the daily newspaper, or something.

And masks.

I see two kinds of masks in the street; the paper daily-use masks, and a second type of mask that is sturdier than paper, not as sturdy as cloth, and not designed for continued use although they can be worn more than once. I don’t know what the material is, but these are clearly disposable masks.

I don’t see many blingy, slogany, logo-stamped masks, or many handpainted fabric masks on the street. I suspect that if one of those blows off your face, you hunt it down. After all, you may have paid ten or fifteen dollars for it.

I do see some fabric masks though. Usually they are the plain black fabric ones, and usually they’ve been driven over or walk on.

Do masks fly out of cars? I’m not being sarcastic. Some people hang their masks from their rearview. If the windows are down, it seems like they could blow free. Or, if you’re riding in a car with the mask dangling from one ear, it could blow out the window too. Or maybe a cranky, itchy child pulled theirs off and dropped it.

I’m glad you all don’t need your masks so much outdoors. I’m glad we are making the progress we are making. But please, don’t litter! Pick up your masks.

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Worded Out

This isn’t about writer’s block. I may compose a post on writer’s block someday, because it’s an interesting topic. Personally, I think it is a term used to cover a variety of states. This post isn’t about that.

Sometimes I get worded out. No, not weirded out, although I get that way too sometimes! No. I just run out of words. I’m word-exhausted. I’m not out of stories–ideas and characters still swirl around in my head, but I lack the strength, or the will, to put words on paper.

Sometimes I adjust for this state, which is short-lived, by writing “lite,” or by revising. Sometimes the state is so profound I don’t even have enough words for that. This state has never lasted more than a few days.

The quickest fix is to do something else, unrelated to writing, that gives the word well a chance to refill.

Sometimes this is reading. Back before the pandemic, going somewhere (even for a day trip) replenished my words. Often, photography does the trick.

This week I was worded out. By Friday afternoon there was nothing I could write. Nothing I wanted to write. I needed to let another part of my brain have some fun. I spent Friday and Saturday taking pictures. I gave the busy tenders of my mental word farm a chance to work unimpeded, tending the immature crops that needed to ripen up a bit. In the meantime, I saw highland cattle, a mama deer and her twin fawns (no photos–I was driving); smelled the ocean and felt its breeze on my face. I studied a many-times-painted wall in our town and deciphered the ghost signs it held. I walked. A lot.

And by last night, the words were trickling back in.

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