The Final Four: American Gods ReWatch, Season One

I finished watching all of Season One, and I find I have more quibbles with the final four episodes on a second viewing.

I still enjoy the show; I am eager for Season Two, especially since Fuller and Green tried to end on a cliffhanger, with the tour bus carrying Bilquis headed to the House of the Rock.

Bilquis is one serious god-queen.

Bilquis is one serious god-queen.

I love that Bilquis and Ostara, who were minor characters in the book, have been elevated to secondary player status here. That’s all to the good. I love Neil Gaiman, but he never did write good goddesses until The House at the End of the Lane. His earlier female gods were all bit parts, and almost all just temptresses. In Sandman, the god character who fulfills the function of Bilquis works at a strip club. This is a male view of female deities. Being stared at while you swing around a pole when your calves hurt and your breasts hurt and you hope you can make enough in tips to get the car fixed and pay the rent, and you hope nobody gets rough with you in the parking lot—again– is not worship*. It’s not new and it’s not particularly insightful. Maybe Fuller and Green are going to do a bit better with it.

Ostara in her demure aspect as Easter.

Ostara in her demure aspect as Easter.

So, goddesses, good. On the flip side, while the plot elements of “Death of a God” advance the story (finally!), the creation of the town of Vulcan is stereotypical and overplayed. I do love that we see the town from Shadow’s point of view, and there is so escaping just how scary it is. Corbin Bernsen does a great job as the lame god of the volcano and the forge.

I thought the stereotyping of “gun nuts” was overdone, but I can accept that Vulcan, who was the god of blacksmithing, would morph into the god of the gun. I didn’t like, “Every gun fired in a crowded theater is a prayer to me.”  Well, is every shot fired by a hunter bringing food home for his family, every shot a woman takes at the rattlesnake gliding along the edge of her patio where her kids play also a prayer to Vulcan? Certainly, fear is a big part of what drives a vocal group of gun-owners; many other gun owners have different views. The show tries to do a disclaimer with Wednesday’s speech as they roll into town, but it seemed too easy. And Vulcan’s casual bigotry is baffling, unless he was directed to treat Shadow that way as an insult to Wednesday. Shadow seems to think so… but it wasn’t clear to me. It felt like the showrunners were relying on the tropes they’d set up – gun nuts! Company town! Weird uniforms!—to do their work for them.

However, the ending, and Wednesday’s curse, were great stuff, and I hope we see that curse play out in future seasons.

That’s one thing I noticed; if we measure by the rate Season One moved, they’re going to need at least five seasons (maybe eight?) to get anywhere even close to completing the story? If they continue to move as slowly as Season One did, I’m not sure Starz is going to stick with them that long. I’m not sure I’ll stick with them that long, frankly.

Things I loved in the final four episodes:

“A Prayer for Mad Sweeney.” The backstory had little to do with the plot but it was sweet, sad and beautiful. This is a thing a visual medium can do that print medium cannot; by casting the same actors as two different sets of characters, it creates a connection between those sets. Thus Laura and Essie McGowan (Tregowan in the book), resonate with each other, and the episode made me like Laura better. And Mad Sweeney is confronting his conscience over killing Laura. This works, and works well, because of Emily Browning and Pablo Schreiber.

I don't think Laura's dead yet in this scene.

I don’t think Laura’s dead yet in this scene.

In “A Lemon-Scented You” I liked that we finally see Mr. World, and that, even though he is what he is, he is clumsy operating in the real world. He needs Media to, well mediate for him. Of course, this again is a traditional female role, but Gillian Anderson has risen to the challenge. I liked the strange, suspenseful face-off scene that quivered with danger. I liked the cop who interrogated Shadow and I was sad when she was killed.

(Mediated reality is what we live in right now; a world where we are bombarded by data… “information?”… that assumes no moral requirement to be accurate or honest. Our experiences are shaped, curated, edited, second hand. “Pics or it didn’t happen.” When Wednesday says, “You fill their time; we gave them meaning,” true or not, that’s what he means.)

Mr. World

Mr. World

Of course I loved Kristen Chenowith as Ostara/Easter. I loved her pastel house. And I love Orlando Jones as the spider god Anansi and I hope he continues to make appearances.

If Fuller and Green do the stereotypical thing with Selim and the Djinn, I will be vey angry. And since that will be all them (because these were minor characters in the book) I will probably stop watching.

And, it’s hard to talk at all about American Gods without taking a moment to mention the astonishing Ricky Whittle and the brilliant-as-always Ian McShane.

*No, I don’t know from personal experience, but I have talked to three different women who did exotic dancing. For two of them it was in their distant pasts. None of them necessarily hated it—except for feeling unsafe—but no one felt especially worshipped.

All images are courtesy of STARZ via IMDB.com

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Second Chances Used Books: The Soft Launch

[Second Chances Used Books will be open seven days a week; Monday-Saturday 10:30-6:00, Sunday, 10:30-5:00.]

***

I did not buy the first book at Second Chances books.  Emma, Brandy’s friend and a former Copperfield’s employee, said on Friday that she was going to get over early on Saturday and buy the first book. She had it all picked out. I wasn’t going to arm-wrestle Emma for the privilege because I would lose that contest.

This was the view coming through the door Saturday morning.

This was the view coming through the door Saturday morning.

In fact, Brandy had random customers walk in first thing, and they made the first purchase at 10:32. Emma, chagrined, made the second purchase.

 I think Emma should become the store's official photographic model.

I think Emma should become the store’s official photographic model.

I said mine was the third but I think I forgot that someone else bought a book after Emma, so my To the Lighthouse purchase was the fourth official sale.

To The Lighthouse, the fourth sale.

To The Lighthouse, the fourth sale.

I’m slipping. I did bring cake, though.

(I parked behind Rite Aid and walked over to Safeway to pick it up. I planned to walk to the store, which I did. As I was halfway across the crosswalk on Main Street, a car making a left turn shot across in front of me. I remember thinking clearly, “If you kill me in the crosswalk before I deliver the cake, driver dude, I will haunt you for the rest of your life. And your children’s lives.”  I’m serious about cake.)

"Happy Soft Launch" does not have quite the same ring.

“Happy Soft Launch” does not have quite the same ring.

Many, many people came to the store on Saturday! Some were family, some were friends, some were folks who hadn’t known that Mockingbird had moved, but who stayed and shopped and bought books.

I had been baffled about the Mockingbird thing for weeks, but finally the logic of it had percolated through. Several people who came in said they were not local, but they came up a few times a year to visit family and so on. Mockingbird moved to Tracey, California, after their last visit. I’m sure several of them will become Second Chances converts.

This was part of the Children's Section on Saturday. Lots of nice picture books!

This was part of the Children’s Section on Saturday. Lots of nice picture books!

The shelves look pretty with so many books faced outward, but Brandy is rushing to get more books listed, cleaned, labeled and on the shelves. A broken thermal ribbon in the labelling process delayed her a couple of days before the soft opening.

Second Chances Used Books is about half the size of Mockingbird, so words like “large” are relative.

Sections to check out:
— Buddhism is already a large section, with some classic works.
–In the case right next to it, Western Religion already shows a good selection.

–History encompasses General History, Military History, Classical, European and US. As the inventory grows Asian and African history will definitely become subcategories. There are some intriguing books in Political History, too.

–California and the West and Native Americans have their own bookcase, near the front of the store. This is a section that will grow, too.

–Cookbooks; she already has some great ones.
–Art; small but mighty.
–The collection of Alternative Health, Bodywork and Diet and Nutrition includes some good yoga books and some other bodywork volumes.

–Biography has some classics, some unusual selections and the promise of more works in the future.

Second Chances is in west Sonoma County, so of course there is a section on Mythology, Metaphysics, Astrology and Self-Help. There will also be a robust LGBTIQ section.

Two books from the History Section. I want both of them.

Two books from the History Section. I want both of them.

Brandy is intimidatingly well-read and the general fiction section is already chock-full of great writers you would expect. Genre is filling in, though. Take a look at:

–Mystery
–Romance
–Science Fiction
–Horror (tiny and Lovecraftian.)
–Poetry, Essays and Literary Criticism are small but solid sections.

Children’s Books and Teen Books already look great.

There were a few technical glitches, but the weekend went great!

Second Chances Used Book Sign with the book and vase logo

Second Chances Used Books Sign with the Logo

On Tuesday, two thirds of the signs arrived. There is Brandy’s beautiful sign, capturing exactly the feeling you have when you walk into the store.

Orange chair with side table and lamp. Sit a spell, turn those pages and relax.

Sit a spell, turn those pages and relax.

Stop by, browse the books, and avail yourself of one of the Three Sisters, the comfy chairs that are not only, well, comfy, but in some way guardian spirits of the shop. They set a tone, they send a message; “This shop is a sanctuary from all the world’s craziness. Stop in, sit a spell, read a little, and take a portal to another time or place with you when you go.”

UPDATE: Wow, Friday and yesterday were busy days! The space was flooded with people. Adults and kids curled up in the chairs, paging through books, or sat on the floor. Customer after customer said how pleased they were to have a used bookstore back in town!

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Mrs. Dalloway at the Gift Wrapping Station

I volunteered for two shifts, on different days, at the library’s gift-wrapping station. Their slogan, “Buy local, wrap local.” Bring your gifts to the library and we will wrap them for you, or help you wrap them if you prefer.

My first shift started at 4:00pm on Friday. In my imagination, I was well-prepared, showing up with water, snacks and a book for slow times. I even had the book; Mary Oliver’s A Poetry Handbook. I’d been dipping into it in the evenings. It would have been the perfect book for a stint with slow spells and flurries of activity.

I spent a few hours Friday putting books on shelves at Second Chances Used Books

I spent a few hours Friday putting books on shelves at Second Chances Used Books

 

Here are some more books.

Here are some more.

I spent most of that day, though, helping my friend get her store ready for her soft opening, and when I arrived at the library I had only one of my three survival-kit items; water. There was some good news, though. I was in a library. They had books. And the Friends of the Library (which was where I had heard of the activity in the first place) had a big sale table with paperbacks for fifty cents. I spent a dollar—because why not?—on a copy of Mrs Dalloway by Virginia Woolf. While I waited for customers, I followed Clarissa Dalloway as she left her house that lovely June morning, the morning of her party.

*

A confession first, that will surprise no one who knows my lowbrow genre reading tastes: My favorite Woolf book is Orlando. Naturally I love the story about a nearly-immortal character who changes sex and lives nearly four hundred years. To the Lighthouse is my second favorite. I have read excerpts from Mrs. Dalloway but never read the book.

*

The table was not staffed when I got there. It wasn’t staffed either day when I arrived, but it functioned as a self-service wrapping station quite well. When I showed up on Friday, an eleven-year-old girl was wrapping a present by herself. I offered to help, she politely declined. She was wrapping a gift for her teacher, she said. She was doing a pretty good job but she was using a lot of tape. I showed her the trick of folding in the sides of the paper first, then the bottom and top. “And less tape!” she said. She had picked bright red and light green paper with elves on it, and she chose a snowy white bow for the top. I think her teacher will be happy.

Food for Fines, an amnesty program.

Food for Fines, an amnesty program.

Mrs. Dalloway is a reminder of how interested in mind, in thought and in memory, Woolf was, and how deeply observant, not only of the people around her, but her own mental processes. Woolf adeptly captures that chattering mental voice (my Buddhist friends call it monkey-mind), the voice that I imagine as coming from the front of my skull somehow. In a deep third-person point of view, Woolf’s circular, discursive sentences, the repeated phrases, the pauses, the contradictory clauses all ring with the truth of the voice in our heads. And how apparently effortlessly she glides out of one person’s head –I meant to say “character’s,” but these are people—into another’s, sometimes drawing back out of all of them to give us an omniscient point of view of an airplane or a motorcar before slipping cleanly back into Clarissa’s mind, or Peter’s, or the seriously troubled Septimus Warren Smith’s.

Clarissa Dalloway, Richard Dalloway, Peter Walsh and Lady Bruton, who are all of a certain class, think in the words and rhythms of that class. They think in clichés, but this is not a failing of the writer. Woolf chooses those phrases with intent, those collections of words that imply a meaning without producing one, a mirror image to the observation that Septimus Warren Smith is beginning to give words “a symbolic meaning.” For the Dalloways and their neighbors, these phrases reassure. They protect people from real memories, real insights.  Here is one of my favorites, as Lady Bruton greets Hugh Whitbread for luncheon. Whitbread, although he has influence, is often mocked behind his back.

“… But she wouldn’t let them run down her poor dear Hugh. She would never forget his kindness – he had really been remarkably kind – she forgot precisely on what occasion.”

*

The gift-wrapping station is set up between a bank of self-checkout machines and the coin-operated self-serve photocopier. For a gift wrapper, this means at any given time there can be somebody or somebodies moving about doing things, right over their shoulders, out of view. If you’re mildly paranoid, this can be uncomfortable.

Hello, have we met? I’m Mildly Paranoid.

*

Septimus Warren Smith displays the symptoms of Shell Shock, which we now call PTSD, certainly. But there is a darker current running underneath those characteristics; the delusions, the voices. Does he have schizophrenia?

*

A slim woman in a bright purple sweater came up to me. Her hair was tarnished-silver gray and cut in a bob. “I have a question,” she said. “You do free gift-wrapping, but where do the gifts come from?”

“You buy and bring your gifts and we’ll wrap them for you,” I said.

She stared. She put her hand over her mouth and started to laugh. “Of course!” she chortled, shaking her head.

The golden dress. This window is dedicated to all the first responders, a holiday Thank You.

The golden dress. This window is dedicated to all the first responders, a holiday Thank You.

“Shredding and slicing, dividing and subdividing, the clocks of Harley Street nibbled at the June day, counselled submission, upheld authority, and pointed out in chorus the supreme advantages of a sense of proportion, until the mound of time was so far diminished that a commercial clock, suspended above a shop in Oxford Street, announced genially and fraternally, as if it were a pleasure of Messrs. Rigby and Loundes to give the information gratis that it was half-past one.”

Holiday Fantasy

Holiday Fantasy

I wrapped a Giant Book of Madlibs for a woman. It was for her grand-daughter. She got it at Copperfields…. I may have to go get one.

For another woman I wrapped a book of activities to do in Napa and Sonoma counties. She bought it for her mother who just moved here. She also bought a beautiful book of wildlife photography, and I wrapped that in dark blue paper with silver stars.

*

The library is offering a fine-amnesty program, Food for Fines, through the end of the year. Bring some canned food for the food bank, and they will expunge your fines.

*

Throughout the book, Clarissa orders, exhorts, pleads with people to, “Remember the party! Remember my party!” Woolf never needs to use words like “plead,” or “exhort.” The placing of the dialogue, the cadence of it, carry Clarissa’s panic nicely. Clarissa is fifty-two. Her only child is an adolescent who has been drawn into the circle of a bitter, deeply religious woman who is completely different from Clarissa. Clarissa’s husband was invited to luncheon at Lady Bruton’s, whose luncheons are said to be most amusing, but Clarissa was not included.

Clarissa is a perfect hostess. Everyone says so. Even Peter Walsh, who says it to wound her (because she could, somehow, have been so much more), says it. So why is she so anxious?

*

On my second-day shift a stooped, white-haired man came up to the table. He put down a tiny bath-duckie. I wondered if he wanted me to wrap it. It’s a working-class duck, with a hard hat, a safety vest and a sledge hammer over one shoulder, if ducks have shoulders, if bath-ducks have shoulders. “This is for you,” he said.

“For me?” I said, like the heroine in a 1930s romantic novel. “Well, thank you.”

A working class bath duck.

A working class bath duck.

The first day, when I left at six, it was dark. Despite my coat and the fact that the bank’s temperature sign read 57 degrees, I could not stop shivering as I walked to where I had parked my car. Main Street was lighted up, and those balls of lights that look kind of silly and even cheesy during the day looked like magic.

Main Street Lights.

Main Street Lights.

 

 

 

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American Gods, the Rewatch

I started re-watching American Gods (Starz). It’s probably too early and I may need to re-watched it again (three-watch it?) because Season Two will probably debut in April, 2018.

So far I’m up to Episode 4, “Git Gone”, better known as “The Laura Episode.” I have still not warmed up to this interpretation of Laura even though the writing is great and the actor playing her is simply excellent. I appreciate Ep 4 without loving it. More on that in a bit.

Re-watching, even the early eps, I’m startled at how much I’ve forgotten. I forgot that Orlando Jone’s blazing monologue as Anansi came in Ep 2. They don’t give Emmies for single monologues, but it they did, Jones would have one for the lilting, smiling spider god, his humor a sleek varnish over a finely honed steel blade of rage. Of course you don’t varnish steel, but go watch the episode and you’ll know what I’m talking about.

(“Angry is good. Angry gets shit done.”)

I remembered loving the Zoraya sisters and Cernobog, and on re-watch, I love them as much. Cloris Leachman, playing the oldest Zoraya sister, looks at Shadow’s coffee grounds to read his fortune. (“Tea is disgusting,” she says.) She and the middle daughter exchange a glance, then:

Zoraya:  You will live long life, get married. Have many children.

Shadow:  Really, it’s that bad? (Pause.) Is there any good news in there?

Zoraya:  You mother, she die of cancer?

Shadow: [Nods.]

Zoraya: Good news. You no die of cancer.

Cernobog was a big player in the books, and I hope we see much more of him, and I hope we meet his brother before the story finishes up. Because the series has rejiggered the time-frames, it seems that we cannot possibly meet him the way we do in the books, which is a shame.

Episode 4 is completely about Laura. We understand her pretty well by the time Shadow comes on the scene. I like the grace-notes. I like that the only thing that gives Laura joy is the feel of the playing cards. That is taken away from her at the casino by the implementation of an auto-shuffler. It is the first thing that gives her joy about Shadow, that he does card tricks and trick shuffles.

It’s great to see Ricky Whittle play a different aspect of Shadow. Perhaps it’s as simple as Before and After—before and after prison, before and loss. Our Shadow is quiet, wary, a man who keeps things to himself. Laura’s Shadow is verbal, smarmy and almost charming, a man who shows his feelings to her. On first watch, I thought making Shadow an unsuccessful thief was employing a racial stereotype, and perhaps a little lazy. On re-watch, I decided… well, I still think it’s a racial stereotype, but now I wonder if it isn’t a sideways glance at Shadow’s heritage. His real heritage.

Emily Browning is indescribably good in this role. And Browning, as back-from-the-dead Laura, and Betty Gilpin as Audrey, the betrayed best friend, are priceless. There is no plot reason for Audrey to return after the end of Ep 4, but I keep wishing that somehow she will, because when she does it is just so good.

And watch for the ravens in Ep 4. They’re there.

And, on re-watch, the same kinds of thing irritated me that did the first time. Yes, water, important. We get it. Fire, important. We get it. Every rainstorm. Every bathtub. Every stove burner. Will someone PLEASE buy dead Laura a cigarette-lighter so I don’t have to watch the slo-mo flare of every single match head?

In Ep 4, one of the critical moments in the show is hand-waved. Audrey tells Laura that she didn’t love Shadow, at least not the way he loved her. Laura argues, doing a great job of delivering a series of lines that go something like, “I love Shadow. Loved Shadow. Love Shadow. I love Shadow.” This is a critical moment… Laura loves him now. No matter how beautifully Browning enunciates, these lines fall flat. To be fair, it was never clear in the book either why Laura’s loyalty to Shadow was so intense, except that she felt genuinely guilty for cheating on him. Still, when the writing is excellent, false notes are even more annoying.

Another thing I still don’t like, even though I do understand it; the show curtails the delightful road-trip aspect of the story to the point of killing it. We get a map overlay; we get shots of lovely back roads, we get one roadhouse with character. Part of the joy of the book was Gaiman’s joy in America’s weird roadside attractions and back roads. We’re not going to have that here.

And… I’m still captivated. Can’t wait to watch a few more next weekend.

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Fiction: Counting the Ripples

[This is original fiction by Marion Deeds. If you want to link to it, fine. If you quote it, give me credit.]

“I can’t talk to you right now,” Shillaylee said as the volunteer brought Heather into the empty garage. Shillaylee was striking poses under a “Shillaylee for City Council; We Fight Change,” banner, fluorescent light glaring off her blond hair. “I’m developing a new signature gesture.”

“You’ve missed our last two meetings,” Heather said. “And I’m confused by your slogan. Since when do you fight change?”

“‘We fight for change.’ I always fight for change. Geez, Heather, where’ve you been?”

“That’s not what it says.” Heather pointed.

Shillaylee turned around and stared at the banner. Heather saw her lips moving, and then the slender, athletic woman whirled and sprinted toward the door. “You guys! The sign is wrong! It’s wrong!” She disappeared into the other room. Heather tapped her fingers together while she waited for her client to come back.

“Thanks for pointing that out,” Shillaylee said, reentering the garage.

“What do you think you’re doing?”

“Running for office. Making a difference. Fighting for change.”

“It’s marginally better than sitting around reminiscing about the dystopian governments you’ve toppled, I guess,” Heather said, “but you don’t stand a chance.”

Shillaylee straightened up and pushed back her shoulders. She raised her chin. “I never stand a chance, Heather, but I fight. I fight and I win. Things are bad here. There’s something dark and rotten at the heart of this city council, and it’s going to take us, the people they don’t even look at, to—”

“Yeah, yeah, yeah. I know. Shillaylee, no offense, but you’re thirty-three. You aren’t a scrappy, charismatic young teenager fighting an evil government anymore. And not everything’s a dystopia.”

“Oh, yeah? Have you seen what this city council did to that homeless encampment? They bulldozed it! It’s just wrong.”

“It takes money to run for office,” Heather said, infusing her voice with as much reasonableness as she could. “It takes name and face recognition. It takes a last name. Do you have one?”

“Jones. Shillaylee Jones. I fight for change.”

Heather closed her eyes and ran her fingers through her short graying hair. “You couldn’t even get your first banner right. Have you researched your district? It had sixteen percent local turnout at the last election.”

“I’ll rally the people.”

“By tossing your hair and striking fight poses?”

Shillaylee’s shoulders hunched a little. “It used to work.”

“It’s time to give it up, Shillaylee. I’ve worked with you for ten years now. You’ve been a good hero but you have to face facts. This thing just isn’t in your skill set.”

Shillaylee delivered one of her signature glare-with-sneer looks. “I thought the Champion Recruitment Agency never gave up on a hero. You sound just like the President and the Council back home. I led the revolution that toppled them, remember?”

“That’s where I found you, hungover and moaning about the good old days. Do you remember?”

“Well, whatever. You’ve let me down.”

“Sorry to disappoint, Shill, but you can’t win this. Even if you did, you wouldn’t know what to do. You’d be a useless dupe.”

“That’s not true! I’ve been – talking to people! I’ve been listening in coffee shops and laundromats. I know what the issues are.”

“You don’t have a platform.”

“Stop bulldozing homeless encampments!”

“Great start,” Heather said. “How long before you start dating someone in your opponent’s campaign, and then wondering if you can trust them? How long before you’re up on some rooftop staring at the sunset and brooding when you should be at the debate?”

Shillaylee gulped. “There’s a debate?”

“And what about those volunteers in there? Are you really going to disillusion all six of them, ruin their dreams, when you’re crushed on election day?”

Shillaylee stared, her thick lashes quivering over her blue eyes. “Someone got to you,” she whispered. “I can’t believe it. The Hero Recruitment Agency has been co-opted.”

“I know you don’t believe this,” Heather said. “But I’m trying to help you.”

Shillaylee stretched out her arm, her fingers curled, her index finger pointing at the door. “Get out!” she said.

“Sweetie—”

“Out!”

Heather sighed and turned away.

Shillaylee called after her, “You know what? I’m going to start looking stuff up. I’m going to read up on the city council and what they do. And I’m going to start having town meetings! I’m going to win!”

Heather walked through the living room where a volunteer was saying into a phone, “For change. It’s Fighting for Change.” Outside, she turned left and headed down the cracked sidewalk past the shabby houses with their neat stoops, until she came to a local coffee shop. Lucas sat at a table near the back, pulling up data on his phone. “You owe me a coffee,” she said.

“She did not pick Jones.”

At Heather’s grin he shook his head and went to get drinks. Delivering them, he said, “How’d it go?”

Heather sat down. “Perfectly. The projections?”

“Worst case, she’ll get six percent of the vote, but best case, she’ll get twenty, this time. And she’ll inspire a bunch of people. In four years, when she runs again?” He raised both hands in a cartoon shrug. “Maybe she even wins.”

“All the people she inspires,” Heather said. “We’re always counting the ripples.”

“Did she give you a hard time?”

“It’s Shillaylee, what do you think?”

“Were you worried about overplaying it?”

Heather shook her head. “She’s so oppositional-defiant, overplaying would be almost impossible. I’ll go back in a month, tell her I was wrong, that I’ve seen the light…”

“And yada yada ya,” Lucas said. He sipped his drink. “Do you ever miss Intake? I remember thinking, back in those days when I was chasing down champions who needed more challenge, how much I’d like case management. It seemed so easy. But all this manipulation… Is it worth it?”

Heather looked around, as the proud, shabby neighborhood that deserved a change. It deserved a champion. “Yeah,” she said. “Definitely worth it.”

 

 

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Cat Person; Damn Fine Fiction, or Fat Shaming? I Don’t Know

The New Yorker has a short story called “Cat Person,” written by Kristen Roupenian. Margot, a college sophomore, meets Robert at the cinema where she works at the concession stand. They get off to a bad start, but later they are texting, and Robert is witty and funny. The texting part of the relationship is fun, and soon Margot has a crush on him. As their involvement changes to dating, things get awkward as Margot confronts the things that she was studiously looking away from. Margot’s denial, and the ultimate shredding of that denial, is nicely written and, in a few places, incandescently honest. It’s a good story.

It’s gotten some backlash, too, because Robert is described, deep into the story, as being fat, and folks are shouting “Fat shaming! Lazy writing!”

I’m not sure I understand the argument. I’m fat, or at least overweight. I didn’t feel that Robert’s description was merely a stand-in for bad behavior. Margot notices that his shoulders slump forward and he’s a little heavy when they first meet, but then it drops out of the story for quite a while. For me, I checked off about four other serious red-light check-boxes before the searing, honestly uncomfortable sex scene in which Margot begins to obsess over Robert’s weight (and what a bad time she is having). Robert hit Passive/Aggressive, Controlling, Too Old and Probably Dishonest long before I remembered that, oh yeah, looks like he has a pot belly.

Roupenian brilliantly captures Margot’s conflict. Robert wants her to be what he imagines. Margot wants to be what he imagines. She spends their first date trying to read his mind, trying to figure out what he wants, and trying to be that. It was heart-breaking to me that a woman coming of age now, in 2017, is still trapped in this behavior. The use of texting (texts are described, mostly, in the first half of the story) remind us of what we already know, if we think about it – online, or on-text, we have time to think, to compose, to edit, to make ourselves look good. The very name of the story indicates how fundamentally shaky Robert’s persona is, how big the gap is between what he texts and who he is.

The fact that Roberts knows her age and she does not, until much later, know his, is another power imbalance addressed in the story.

When Margot initiates a sexual encounter based on a moment of arousal, she soon realizes that things are increasingly awkward, and she is not having a good time. This is not a rape or a coercion. Margot is going to go through with a thing she no longer wants to do because it would  be impolite to stop. In one split second, Margot’s reaction to one of Robert’s controlling questions obliterates the illusion; neither of them can deny what is going on and how badly mismatched they are. Neither can ignore the fact the Margot is not Robert’s perfect imaginary girl—and that is what Robert seems to want, an imaginary girl.

I wondered at the actions of Margot’s room-mate a bit later in the story, but I didn’t wonder about the change in the tone of Robert’s texts. As soon as he is forced to confront the reality of the actual woman he was having sex with, his tone becomes punishing.

I did not enjoy this story. Enjoy is not the right word for what is depicted. I think it’s a strong story, and important story. I do not see how Robert carrying a few extra pounds is lazy writing, or a stand-in for his other behavior, but if you do see it that way, I am eager to read your reasons and your opinion.

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Opening December 16; Second Chances Used Books

Update: Sometimes a typo takes on meaning. I wrongly titled this “Second Changes,” originally. While I like that, it’s not the name of the store.

Brandy is opening a used bookstore in the location of the old Mockingbird Books. Brandy sold her share of Mockingbird and went on to work at Copperfield’s for several years. The two remaining partners of Mockingbirds opened a second Sonoma County location in Guerneville which is still in operation, then moved the Sebastopol store to Tracy, California.

When Brandy found a way she could open her own business, to her surprise, the front suite of the original location was still available to rent.

The day the bookcases and the counter arrived!

The day the bookcases and the counter arrived!

This makes Second Chances Used Books a much smaller store than Mockingbird, but I can already see that the inventory is carefully curated. Book lovers and discriminating gift buyers will always be able to find something here.

Unlike Mockingbird, Second Chances plans to buy books from customers as well, and I know Brandy will be keeping an eye on the inventory to see what turns over. For example, she and I were just talking about Elena Ferrante the other day. The Ferrante trend seems to have cooled, but will the announcement of a new book coming out change that?

Brandy has a lot to do before Saturday! A large part of the labor will be getting cleaned, listed books onto the shelves. I’ve offered to help but I hope a few other of her town friends can pitch in. The other retail tasks are daunting: setting up a credit card service; keeping track of the progress on her beautiful sign; making all the necessary connections with Amazon because she will be listing and selling online… it’s quite a list.

At times, it seems  like there are lots of books. At others, it is clear that the books she has now will not fill the shelves she has now. And it’s clear she could use some more bookscases.

She has some lovely overstuffed chairs that we’ve dubbed The Three Sisters, because this is the kind of store that invites you to sit down and read.

I’ve observed an interesting phenomenon; seeing empty bookcases lining the walls, and orderly stacks of books on the floor, people come and knock on the door. They say, “You’re closing! It’s so sad!” It’s as if they walked past the empty suite for three months and never noticed everything. This isn’t bad; it gives the proprietor a chance to say when she’ll be opening, but it’s interesting. The other day a young man said he only comes up to Sebastopol two or three times a year, and clearly Mockingbird was still in place that last time.

Some days it seems like many books; some days it does not.

Some days it seems like many books; some days it does not.

I’ve been helping clean books and already I’m having the same problem I had in the previous store; I can’t touch a stack of books without finding ones I want, immediately. Even when it’s a topic that isn’t important to me, I still find them. Yesterday I was cleaning a batch of cookbooks and food books, and there were two gluten-free books, one atop the other. I know just who could use those.

I can’t wait for the opening. This is a rumor only, but there might be cake. I’m just saying.

Later that afternoon, from 4:00 pm to 6:00 pm, I’ll be at the Sebastopol Library, 7014 Bodega Ave (corner of Bodega and High Street) helping with free gift wrapping for the gifts you bought downtown, like, maybe, at Second Chances!

The shop’s address is 6932 Sebastopol Avenue, Sebastopol, between The Toyworks and the ceramics and fused glass shop… half a block from Screamin Mimi’s.Here is the Facebook page. Come check the shop out this weekend! There is no sign yet, but you’ll know it from the whimsical decorations in the pop-out window.

These ornaments and more adorn the window.

These ornaments and more adorn the window.

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The Rule of Five, The Rule of Four

My doctor and I recently discovered that I had very high blood pressure. That’s putting it politely. To put it accurately, my blood pressure was in “holy shit” territory.

PSAs and ad campaigns talk about hypertension as “the silent killer” because you can be quite free of any secondary symptoms, and in my case that was true. I had a couple of symptoms, and given my family history, I had an idea it might be high. I didn’t know it was that high.

Right now we are still in the calibrating-medication stage. The pills have lowered it from the you-can-have-a-stroke-at-any-moment levels, but it’s still not quite where my doctor and I would like it to be. Clearly life-style and diet changes are in my future, but right now I’m not devoting a lot of time to making those changes, except for two small ones.

This is because I know myself and I know if I tackle a wholesale change the odds are very good I won’t stick with it. I might stick with a few small changes though. While we get the meds to help consistently, I have identified two things I want to do. I call them the Rule of Five and the Rule of Four.

I thought that in my day-to-day life I walked a lot. I will walk three miles at a stretch sometimes. While I can walk a good distance, lately I hadn’t been walking frequently. Sometimes I was only getting out for a serious walk once a week. I thought about it, and decided I really missed the daily walks, especially ones in the morning. I know myself well enough to know if I said, “I will walk every day,” and then I missed a day, I would be disappointed in myself, and I would bag the whole project, so I’m going to take a short walk, about one mile, five days a week. If I take a longer walk that day because I walk down to the bookstore or to the grocery store, that’s fine. If I miss a day, that’s fine too, because I only have to make five. Right now, when it’s not raining, walking is pretty easy, but I already have a plan to drive to one of the malls if it’s raining hard, and walk around inside there.

It helps that I can take pictures when I’m walking in the nearby park.

The Rule of Four is harder.

I have one cup of caffeinated coffee a day. I begged my doctor to put that at the bottom of the list of things I have to give up. She didn’t seem concerned about it. I also have at least one decaf coffee drink, filled with sugar and fat, nearly every day. It started with one or two a week, then slowly crept up because I can afford it, and I’m self-indulgent. Am I going to give that up? Probably not. I am going to try to cut back to three a week, though. This will actually require strategy and decision-making. It’s a lot harder than grabbing my camera or my phone and going out for a walk.

(Talk about a first-world problem; having to cut back on a luxury food product. Oh, the humanity!)

I know there will be other changes, and I know this isn’t the only health challenge I will face, it’s just the first one. I’m taking it pretty easy on myself, and I hope I can keep to these two rules. Wish me luck.

UPDATE: Today, (Thursday, December 7, 2017) I had my pressure checked at the doctor’s office and it was a personal best. When I check it at home, daily, I am getting slightly higher readings, but I am pleased with today’s results. I’m moving in the right direction.

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The Alice Network by Kate Quinn

The Alice Network is great for any reader who loves women’s fiction, historical novels or spy stories. Kate Quinn smoothly blends all three for a gripping page-turner about women spies in World War I, revenge and atonement, with a nice love story sprinkled in.

The story follows two women; Charlotte, an American heiress in 1947, and Evelyn Gardiner during World War I. Charlotte is traveling with her mother, heading to Switzerland for an “appointment” to clear up a “little problem,” but her real concern is the disappearance of her French cousin Rose during World War II. Charlotte evades her mother in England and tracks down someone she thinks will be able to help her; a drunken, foul-mouthed, bitter woman whose hands are badly deformed. This is Evelyn, or Eve, Gardiner. Once she sobers up, Eve grudgingly agrees to help for money. She Charlotte and Eve’s loyal driver Finn set off from England to France.

From here we begin to get the story of Eve’s early years as a spy in northern France during World War I. The characters’ points of view alternate, until they converge around a particular villain who affected the lives of both women.

Quinn did research on the spy networks during the first World War, and especially a secondary character (who was real) Louise de Bettignies, also known as the queen of spies. Quinn’s descriptions are thorough and harrowing, and characters are well-drawn, often with just a few lines of choice dialogue. After World War II, Charlotte still faces discrimination and the diminishment of her rights because of her sex and her age. The three main characters all have to address mistakes they’ve made, and they all have to acknowledge how deeply damaged they are.

The sections in France during the war are nail-bitingly suspenseful.

I found a couple of anachronisms (Charolotte talks about “blowing off “ her classes at Bennington, in 1947) but overall the writing here is graceful and fluent. These are characters you want to root for, and another uncovered secret of the real roles of women in history. Buy it as a gift for someone, and then get a copy for yourself. You’ll want to read it more than once.

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Eligibility List: To my surprise, I have one.

Is it just self-indulgent ego-stroking? Am I writing it as practice for future years when I will have (I hope) a more realistic reason to post this, or am I just doing it because all the cool kids are? Whatever the reason, it did occur to me, after strolling through the Twitterhood the other day, that I had some publications in 2017, and they might be eligible for nomination for awards, and I could legitimately do an Eligibility List.

(Given my long career at the county, which started as an Eligibility Worker in the MediCal program, that phrase makes me snicker.)

I had three fiction pieces published this year. You all know about them because I yammered on about the endlessly. In case you’ve forgotten, though:

In late summer, the mixed-genre anthology Strange California came out. My story “Magpie’s Curse” is in it. I worked hard to write a story that had classical roots (The Goblin Market), and subverted them, but carried the stamp and flavor of a particular time and place in northern California. I think I succeeded. (You can also get the book at Powell’s, and they mention my story in the write-up.)

Flash Fiction Online published my short piece “Strays”, inspired by a writing prompt Marta Randall gave us, about the things we throw away, and the things that find us. It meant writing about something I thought I never would… fashion. And I tried for funny. I think I succeeded.

In April, 2017, Podcastle published “Never Truly Yours.”  This is a story in the form of a “Dear John” letter. I wanted to evoke an historical time and a magical place, and I wanted to explore the evolution of a character. I am the proudest of this story, but I can’t take the credit completely, because even though I captured the voice of my narrator thoroughly, and had some great descriptions, there was always a piece missing in this story and I didn’t know what it was until the Short Story group at Mendocino Coast Writers Conference workshopped it. Their questions, particularly Lori Ostlund’s*, helped me see what was missing. Suddenly, the story snapped into focus. I couldn’t have done it without them.

So, there are my meager offerings for the gazillion contests and Best of lists of 2017. I’m trying to think of it as novelle cuisine… You know, “A single shaving of truffle, garnished with a carrot spiral and one fresh pea; $125.”

*[Treat yourself and read Lori’s gentle, acerbic and beautiful novel After the parade.]

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